Barry Zweig : Desert Vision 1978

Barry Zweig : Desert Vision
Jazz Chronicles JCS 788 courtesy of Los Angeles Theaseum

Another west coast jazz rarity out of LA from 1978.

Barry Zweig : Guitar
Bobby Shew : Trumpet and Flugelhorn.
Tom Collier : Marimba, vibes and percussion.
Peter Donald : Drums.
Abraham Labortel : Bass
David Parlato : Bass

Loving this one, check out this version of Dave Gruisin's Queen Bee.

Slick ...

When Deep-Jazz became a Reality.

Just a few words to say a massive thank you to all those that made it to the Queens' Head on Saturday. We never really knew how this was going to turn out and if anybody would even bother to put in an appearance. It topped off quiet a special day for me, and one i will always remember. Olympia Record fair which for once came up with the goods this time. Ambiance on Ebun, some Gary Bartz, McDuff's Moon Rappin OG and Joe Henderson in Japan US original. Larry Stabbins playing Coltrane's Africa at the Royal Festival Hall, followed by DJR.

It's always difficult to know who's out there taking an interest in this obscure, abstract and impossible to label jazz. The music played that night was a culmination of many many years spent diggin' the crates, and will no doubt never end. Still, and always discovering hidden gems. 

Bacoso (damn that latin Stan Tracey drop!) has already name checked many of the players that reached and showed such enthusiastic support. Not sure if there be will another session quiet like it, but there should be another night sometime in the new year.

17th November : Reach!

Location;

The Queen's Head

Denman Street

W1D 7HN

8 till Late.

Not for the faint hearted this one. Fierce  Jazz from the vaults of Private Press and Orgy in Rhythm's Bacoso. Rare gears from the  US to Japan. Olli, Sabu, Mtume, Shamek, McBee,  Bonner,  Chambers,  Weldon,   Hutcherson, Henderson, Tjader, Brooks, Blakey and plenty more. 

Im-Hotep, Flying Dutchman, Fontana, Chiaroscuro, Tribe, Strata-east, Nimbus, Impulse, Lightin, Vistone,  Blue Note, Fantasy, Muse, Strata, Mainstream, Judnell, Prestige and all the Private press labels will be in the shakedown. I think i'll leave the Latin gears to Bacoso, who could compete? There could be a pinch of Soul to lighten the mood. 4 Hours of darkness could be a step to far. 

It's a great location, next to the Piccadilly Theatre, in the heart of the West End. We'll be squeezed into the Function room on the 1st Floor.

http://www.queensheadpiccadilly.com/

Massive thanks for the Artwork  goes to Blackclassical. 

Try to reach, come along and support.

Mixed Bag's First

One of my favourite albums. Larry Nozero is the Don. Japanese loveliness abounds. Dedicated to Djalma. Dig in the bag, and dig it.

All Rhodes lead to Mexico

Blue Note : 1976

More rare private press gears. This time finds this Mexican only release from 1976 on NCL. Spaced out latinesque jazz of the highest order. 

Robert Aymes : Basses
Ramon Negrete : Sax
Adolph Sahun : Trumpet
Juan Ramon II : Drums
Eugenio Toussaint : Piano
Salvador Aguero : Percussion

Check the whole thing, especially La Nina de los Ojos Verdes. Hot!

  

Deep-Jazz goes LIVE !!!

Katonah and Bacoso presents:
DEEP JAZZ REALITY

It looks like it's finally going to happen. Myself and the biggest jazz blogger on the planet, Bacoso, are planning a night of the heaviest jazz gears around. Super rare sounds will be hauled from the vaults and brought to the smart set of London. Light years from any watered down, Jazz-funk school disco disappointment, this will be for the feet, and the mind. 

No entrance fee required, but it's a small venue, just a stone's throw from Piccadilly. More details and Flyers to follow, with the date set for Saturday 17th November. 

Byard Lancaster

A fitting tribute to the passing of Byard Lancaster compiled by Balckclassical.

Essential.

http://www.mixcloud.com/malfunctioned/byard-lancaster-rip/

Tune!

The sweetest acoustic jazz.
John Betsch on drums .......

Check this out

Caroline Peyton

Caroline Peyton : Intuition
Bar-B-Q from 1977.

A mellow break from the spiritual power jazz of recent times. Sometimes we need to step back from the wail of the tenor, the thundering bass, the frenzied conga and the crash of the cymbal. Presented here are 3 choice tracks for the discerning set. Yes, the Peterson cut "Just as We" is there, but you need to dim the lights, take a glass of Sancerre, relax and dip a toe into the Mitchell-esque "Try to be True". The soft baleful soul of "Brister" completes the trio.

Highly recommended.